Gravity
Gravity is a 2013 3D film co-written, co-produced, co-edited and directed by Alfonso Cuarón. The film stars Sandra Bullock and George Clooney as surviving astronauts in a damaged space shuttle.
Cuarón wrote the screenplay with his son Jonás and attempted to develop the project at Universal Pictures. After the rights to the project were sold, the project found traction at Warner Bros. instead, and the studio approached multiple actresses before casting Bullock in the female lead role. Robert Downey, Jr. was also involved as the male lead before leaving the project and being replaced by Clooney.
Gravity opened at the 70th Venice International Film Festival in August 2013. Its North American premiere was three days later at the Telluride Film Festival. It is scheduled for wide release in the United States and Canada on October 4, 2013.
Plot: Dr. Ryan Stone (Sandra Bullock) is a brilliant
medical engineer on her first shuttle mission, with
veteran astronaut Matt Kowalsky (George
Clooney) in command of his last flight before
retiring. But on a seemingly routine spacewalk,
disaster strikes. The shuttle is destroyed, leaving
Stone and Kowalsky completely alone--tethered to
nothing but each other and spiraling out into the
blackness. The deafening silence tells them they
have lost any link to Earth...and any chance for
rescue. As fear turns to panic, every gulp of air eats
away at what little oxygen is left. But the only way
home may be to go further out into the terrifying
expanse of space
Director
Alfonso Cuaron
Genre
Thriller , Sci-Fi
October 11, 2013
Medical engineer Dr. Ryan Stone is on her first Space Shuttle mission accompanied by veteran astronaut Matt Kowalski, who is commanding his final expedition. During a spacewalk, debris from a satellite crashes into the space shuttle Explorer which mostly destroys it, leaving them stranded in space with limited air. The debris keeps hitting other satellites, causing a chain reaction of destruction and silencing the satellites necessary for the two astronauts to receive communication with Mission Control in Houston. Nevertheless, both Kowalski and Stone continue to transmit "in the blind" to Mission Control, in the hopes that Mission Control can hear them, even if they cannot hear them back.
Stone tumbles out of control after separating from the shuttle's cargo bay arm. Kowalski, who is wearing a thruster pack as part of his spacesuit navigates to Stone and retrieves her. The two tether together, and make their way back to Explorer, where they discover the shuttle has been damaged beyond repair, and the rest of their crew are dead. They then decide to use the thruster pack to make their way to the ISS which is nearby in orbit. Kowalski sets the timer on his suit for 90 minutes, estimating the debris that destroyed Explorer will orbit the Earth and come back around in that amount of time.
Kowalski is ever calm and efficient in the crisis, continuing to reassure Stone that they will both make it back to Earth safely. On route to the ISS, the two discuss Stone's life back home and the death of her young daughter in a schoolyard accident. As they approach the ISS, it is clear that the ISS crew has evacuated due to the debris field causing damage. One Soyuz module for delivering ISS crew and returning them to Earth is missing, used by the ISS crew to evacuate the station. The other Soyuz module has been damaged, and its landing parachute has been deployed as a result. It becomes clear that the remaining Soyuz module cannot return them to Earth safely.
As they get close to ISS, both of their air supplies are near empty, and there is one thruster burst left in Kowalski's pack. He fires the thruster, and Stone is able to grab onto the ISS, however, Kowalski's momentum is pulling Stone away from the ISS, and she is losing her grip. Kowalski asks Stone about her minimal piloting training, and instructs Stone to use the Soyuz capsule to travel to a nearby Chinese space station and get help there. Kowalski says that even if the Chinese have evacuated, they use a return module that is based on the design of the Soyuz, and Stone's limited training will get her home safely. Kowalski then disconnects his tether from Stone, sacrificing himself so Stone can get aboard the ISS safely.
Stone boards the ISS, which has been damaged but still has an oxygen atmosphere. Stone makes her way to the Soyuz module, but a fire starts from sparking wires aboard the ISS. She tries vainly to put out the fire, and get aboard the Soyuz. Once aboard, Stone tries to thruster away from the ISS, but the parachute cables are tangled and keeping the Soyuz from getting free. Stone puts on one of the Soyuz spacesuits and spacewalks outside to release the parachute cables from the capsule. During the spacewalk, the satellite debris has orbited the earth, impacting with the ISS and the Soyuz. Stone barely makes it inside the Soyuz and thrusters away, just as the debris field impacts and destroys the ISS.
Stone goes over the emergency manual, and uses the thrusters to line the Soyuz up with the Chinese station. She attempts to fire the main Soyuz rocket to navigate to the Chinese station; however, the fuel tanks are empty. Stone tries to use the Soyuz radio to contact earth, but she is only able to reach a farmer who does not speak English on a short wave frequency. Stone resigns herself to her fate of dying, and turn off the oxygen flow in the cabin to hasten her eventual suffocation. She begins to fall asleep, running out of oxygen, when she sees a vision of Kowalski outside the capsule. Kowalski enters the capsule, to Stone's amazement that he could still be alive. Stone tells him that there is no fuel left for the main rocket, but Kowalski, ever the optimist, tells Stone that the capsule still has re-entry rockets that cushion the landing of the capsule before touchdown on land, and that they will use those to navigate to the Chinese station.
Stone begins to thank Kowalski, when she suddenly realizes she is alone in the capsule. Stone realizes she hallucinated Kowalski in her oxygen-deprived state. She turns the oxygen flow back on in the Soyuz, and, using the information about the landing thrusters she remembered from her hallucination, fires the thrusters and makes her way to the Chinese station. Realizing she is going to miss the station by several dozen meters, Stone picks up a fire extinguisher and opens the Soyuz hatch while the capsule is still pressurized, blowing her across the distance. She navigates to the Chinese station using the fire extinguisher as a makeshift thruster. Stone boards the Chinese capsule just as the entire Chinese station, having been pushed out of its stable orbit by the satellite debris, starts to burn up on the upper edge of the atmosphere. Stone successfully enters the re-entry commands in the Chinese capsule's computer, and the capsule begins its decent towards Earth. On the way down, Stone hears Mission Control over the radio tracking the capsule and promising rescue teams are being dispatched.
The capsule splashes down in a lake in an uninhabited part of the Earth. Stone opens the capsule hatch, but the water rushing in nearly drowns her, pinning her against the wall. Once the water pressure equalizes, she slips out of her spacesuit and swims to the surface, where she swims to shore. While the remains of the Chinese space station and other satellite debris streak high in the sky overhead, Stone takes her first shaky steps on dry land,
The project was in development at Universal Pictures for several years, but the studio placed it in turnaround. Warner Bros. acquired the project, which in February 2010, attracted the attention of Angelina Jolie, who had rejected a sequel to Wanted. Later in the month, she passed on the project, partially because the studio did not want to pay her $20 million fee, which she had received for her latest two movies. She received $19 million for The Tourist[6] and over $20 million for Salt. She also passed on the project because she wanted to work on directing her Bosnian war film, In the Land of Blood and Honey.In March, Robert Downey, Jr. entered talks to be cast in the male lead role.
In mid-2010, Marion Cotillard tested for the female lead role. By August 2010, Scarlett Johansson and Blake Lively were in the running for the role. In September, Cuarón received approval from Warner Bros. to offer the role without a screen test to Natalie Portman who was being praised for her recently released film Black Swan. Portman passed on the project due to scheduling conflicts, and Warner Bros. then approached Sandra Bullock for the role.In November 2010, Downey left the project to star in How to Talk to Girls, a project in development with Shawn Levy attached to direct. In the following December, with Bullock signed for the co-lead role, George Clooney replaced Downey.
Gravity has a production budget of $80 million and was filmed digitally. Live elements were shot at Pinewood and Shepperton Studios in the UKwith the visual effects supervised by Tim Webber at Framestore in London. The 3D was designed and supervised by Chris Parks. The majority of the 3D was created through stereo rendering the CG at Framestore with the rest post converted, principally at Prime Focus, London with additional conversion work by Framestore. Prime Focus's supervisor was Richard Baker. Filming began in London in May 2011.though the first trailer has audible explosions in it, Cuarón has confirmed that scenes in space will be silent: "They put in explosions [in the trailer]. As we know, there is no sound in space. In the film, we don't do that."
Main article: Gravity: Original Motion Picture Soundtrack
In most of the film's official trailers, "Spiegel im Spiegel" was used, written by Estonian composer Arvo Pärt in 1978.
The film score to Gravity is composed by Steven Price. A soundtrack album will be released digitally on September 17, 2013 and in physical formats on October 1, 2013 by WaterTower Music.On September 5, 2013, a 23 minute preview of the soundtrack was released online.
Gravity will have its wide release in 3D and IMAX 3D on October 4th, 2013. The film was originally scheduled to be released on November 21, 2012, before being re-scheduled for a 2013 release in order to complete extensive post-production effects work.
Gravity had its world premiere at the 2013 Venice Film Festival on August 28, where it received universal acclaim from critics and audiences, praising the acting, direction, screenplay, cinematography, visual effects, production design, the superb use of 3D, and Steven Price's musical score. Film review aggregator Rotten Tomatoes reports that 95% of critics gave the film a positive review based on 40 reviews, with an average score of 8.8/10. On Metacritic, which assigns a normalised rating out of 100 based on reviews from critics, the film has a score of 96 (citing "universal acclaim") based on 10 reviews.
At Variety, Justin Chang posits that the film "restores a sense of wonder, terror and possibility to the bigscreen that should inspire awe among critics and audiences worldwide".
The film was praised by filmmaker James Cameron, who said, "I think it's the best space photography ever done, I think it's the best space film ever done, and it's the movie I've been hungry to see for an awful long time".
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